Abstract
As one of the typical representatives of ancient Taoist murals in China, the murals of Yongle Palace in Shanxi Province have a rich traditional heritage and profound cultural connotation. The mural of the "Dynasty Yuan Tu" in the Sanqing Hall inherits the tradition of religious figure painting in the Tang and Song dynasties, and depicts the vast scene of Taoist gods worshipping the primordial Tianzun, the main god of Taoism. In addition to the many male deities, the frescoes depict 25 female deities, and the crowns and hair ornaments of the female deities are depicted in detail. Based on the analysis of the identity of the female deities, this paper attempts to clarify the main types of tiaras and hair ornaments of the female deities in the Chaoyuan Diagram of the Song Dynasty and the comparison with the Chaoyuan Immortal Battle Diagram of the Song Dynasty and the archaeological excavation of the female crown ornaments of the Yuan and Ming dynasties, and then discusses the inheritance and evolution of the female crown ornaments of the Sanqing Palace in the Chaoyuan Dynasty to the Song and Yuan dynasties by comparing them with the Chaoyuan Immortal Battle Diagram of the Song Dynasty and the archaeological excavation of the female crown ornaments of the Yuan and Ming dynasties The cultural connotation of the first costume of the female deity and the aesthetic characteristics of its time. Keywords: Chao Yuan Tu; First serving; Cultural connotation
Key words: Chaoyuan Map; 1st Server; Cultural connotation
